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An outdoor scene captures a street in Homs, Syria, in the vicinity of Hammam al-Dhahabiya, indicated by a prominent sign on a utility pole. The central focus is a four-story building on the left and center, constructed of light reddish-orange or salmon-colored stucco, featuring white decorative quoining along its main visible corner. The building has numerous rectangular windows with white frames and closed or partially open dark red shutters. A light-colored chimney and a red water tank are visible on the roof.

In the foreground, a paved street shows several vehicles. A man on a dark-framed bicycle, wearing a blue and white striped shirt, is positioned with his back to the viewer, riding away from the camera. To his right, a white four-door sedan is parked along the curb. Further left, part of a yellow taxi cab is visible.

A black metal utility pole stands prominently in the midground, heavily laden with numerous black overhead electrical and communication wires that extend across the sky. Attached to this pole is a white rectangular sign with red and black Arabic text, advertising "Hammam al-Dhahabiya" (Golden Bathhouse) as a traditional Syrian bath, indicating it is currently operating. Below the sign, a man in a dark shirt and blue jeans stands near the pole, appearing to interact with a mobile phone.

To the right of the utility pole, a low stone wall extends along the base of the building, above which the lower windows with security bars are visible. Several more cars are parked along the right side of the street. In the far right of the frame, a man in a dark uniform, possibly a security officer or police, stands facing left, observing the scene. The sky above is clear and light blue, indicating daytime conditions with shadows suggesting either early morning or late afternoon sunlight.
obaida alabrash

Jul 14, 2025

Homs, Syria

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An outdoor scene captures a street in Homs, Syria, in the vicinity of Hammam al-Dhahabiya, indicated by a prominent sign on a utility pole. The central focus is a four-story building on the left and center, constructed of light reddish-orange or salmon-colored stucco, featuring white decorative quoining along its main visible corner. The building has numerous rectangular windows with white frames and closed or partially open dark red shutters. A light-colored chimney and a red water tank are visible on the roof. In the foreground, a paved street shows several vehicles. A man on a dark-framed bicycle, wearing a blue and white striped shirt, is positioned with his back to the viewer, riding away from the camera. To his right, a white four-door sedan is parked along the curb. Further left, part of a yellow taxi cab is visible. A black metal utility pole stands prominently in the midground, heavily laden with numerous black overhead electrical and communication wires that extend across the sky. Attached to this pole is a white rectangular sign with red and black Arabic text, advertising "Hammam al-Dhahabiya" (Golden Bathhouse) as a traditional Syrian bath, indicating it is currently operating. Below the sign, a man in a dark shirt and blue jeans stands near the pole, appearing to interact with a mobile phone. To the right of the utility pole, a low stone wall extends along the base of the building, above which the lower windows with security bars are visible. Several more cars are parked along the right side of the street. In the far right of the frame, a man in a dark uniform, possibly a security officer or police, stands facing left, observing the scene. The sky above is clear and light blue, indicating daytime conditions with shadows suggesting either early morning or late afternoon sunlight.

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obaida alabrash

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