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A large, ornate calligraphic artwork is prominently displayed in what appears to be an exhibition or gallery setting in Surabaya, Indonesia. The artwork is presented on a curved panel, giving it a three-dimensional effect. The central focus is intricate Arabic calligraphy of Ayat al-Kursi (Surah Al-Baqarah, 2:255), framed by elaborate floral and geometric patterns in blue, gold, brown, and white. At the very top, in a stylized script, is "بسم الله الرحمن الرحيم" (Bismillah al-Rahman al-Rahim - In the name of God, the Most Gracious, the Most Merciful). Below this, the main body of the verse is rendered in elegant Thuluth or Naskh script against a warm brown background. Surrounding the central text, smaller circular and rectangular medallions containing other Arabic words, possibly from the 99 Names of Allah (Asmaul Husna), are integrated into the border design. Examples visible include "الحكيم" (The Wise), "الخالق" (The Creator), "القدير" (The All-Powerful), "العليم" (The All-Knowing), and "اللطيف" (The Subtle). The artwork is set against a plain grey wall, suggesting a modern exhibition space. In the background, to the right, another large, abstract painting is partially visible, and a red fire extinguisher stands out. To the left, a smaller framed artwork depicting the Kaaba can be seen in the reflection. The floor is made of wood-like panels. The lighting is artificial, illuminating the artwork clearly. Below the main piece, two small information plaques are visible, likely providing details about the artist or the work. The overall ambiance is that of a cultural or artistic display, showcasing Islamic calligraphy as a fine art form.
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