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This image displays an indoor setting in Quetta City Tehsil, Pakistan, dominated by a large, framed oil painting. The central painting is a surrealist interpretation of "The Last Supper," featuring thirteen figures, with Jesus Christ prominently in the center, seated at a long table draped with a white tablecloth. Small cups and round objects are visible on the table, alongside two melting clocks positioned on the table's edge. A third melting clock hangs from a barren tree branch in the painting's background, which portrays a desolate landscape with rocky formations under a light brown and blue sky. A signature is present in the lower right corner of the painting. To the left of the painting, a wall is covered with various architectural drawings and renderings, with a black and a gold balloon partially visible. To the right, a white wall featuring ornate gold decorative molding is visible at the top. A framed painting depicting a light-colored and a dark donkey is propped on an easel, next to a wooden table that holds two architectural models: one resembling a small house with a pitched roof, and another a building façade with an arched opening. The floor is a light gray color.
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