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A large, unpainted wooden totem pole stands centrally against a plain white wall in a modern, well-lit indoor environment. The totem pole is carved with three distinct, stacked figures. The uppermost figure depicts an avian creature, possibly an eagle or owl, with prominent eyes, a hooked beak, and two stylized feather-like extensions protruding horizontally from its head. The middle figure is an anthropomorphic or zoomorphic face with an open mouth, visible teeth, and large eyes. The lowest figure is a squatting form with its arms resting on its bent knees. The wood displays a natural light brown color with visible grain and detailed carving marks. The floor is a flat, light grey surface. On both the left and right sides of the totem pole, portions of clear glass panels with thin, brushed metal handrails are visible, suggesting an adjacent staircase or railing system. No people, actions, or interactions are present in the scene. This type of Indigenous art installation is characteristic of public facilities in Vancouver, Canada, consistent with those found at locations such as the Vancouver International Airport (YVR) or other civic and educational institutions.
r-np

Sep 5, 2025

Vancouver, Canada

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A large, unpainted wooden totem pole stands centrally against a plain white wall in a modern, well-lit indoor environment. The totem pole is carved with three distinct, stacked figures. The uppermost figure depicts an avian creature, possibly an eagle or owl, with prominent eyes, a hooked beak, and two stylized feather-like extensions protruding horizontally from its head. The middle figure is an anthropomorphic or zoomorphic face with an open mouth, visible teeth, and large eyes. The lowest figure is a squatting form with its arms resting on its bent knees. The wood displays a natural light brown color with visible grain and detailed carving marks. The floor is a flat, light grey surface. On both the left and right sides of the totem pole, portions of clear glass panels with thin, brushed metal handrails are visible, suggesting an adjacent staircase or railing system. No people, actions, or interactions are present in the scene. This type of Indigenous art installation is characteristic of public facilities in Vancouver, Canada, consistent with those found at locations such as the Vancouver International Airport (YVR) or other civic and educational institutions.

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r-np

Sep 5, 2025

Vancouver, Canada

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