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In a domestic setting within the city of Yelwa, Nigeria, a young adult male is depicted actively cooking. He is seated on a dark grey tufted sofa, wearing a white sleeveless undershirt and dark jeans. His attention is focused on a frying pan held over a small gas burner with a red base. With his right hand, he uses a wooden implement to scoop small, fried, golden-brown dough pieces from the pan. His left hand holds the frying pan itself. A low table in the foreground serves as a preparation surface, covered with flour residue. On this table, a significant pile of small, uncooked, irregularly shaped dough pieces is present alongside three flattened, round dough portions. A clear glass bottle lies horizontally, a red-handled utensil (possibly a dough cutter or knife), and part of a black smartphone are also visible on or near the table. The background wall is light grey with visible vertical cracks and multiple black electrical wires secured by white ties. A flat-screen television is mounted on the upper left wall. To the immediate left of the cooking area, a white ceramic mug rests on a small wooden stand. To the right, part of a white oscillating fan is visible. The tiled floor below shows a blue plastic bag and a pair of white sandals. The image is captured from a perspective where the leg of an individual wearing light-colored pants is visible in the bottom right corner.
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