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A life-sized, highly realistic sculpture or wax figure of an elderly male Buddhist monk is depicted seated cross-legged in a meditative posture. The figure wears a deep red-orange monastic robe (kāṣāya) that drapes over its body, exposing the right shoulder, arm, and a bare left foot resting on its lap. The figure has a bald head, deeply wrinkled skin on its face, indicative of advanced age, and wears round, clear-framed eyeglasses. Its hands are clasped in a traditional mudra position, resting in its lap.

The figure is positioned in front of a prominent golden altar or pedestal, which is elaborately decorated with intricate carvings, including geometric patterns and foliage motifs. This pedestal supports the lower section of a larger golden statue, likely representing Buddha, which is partially visible at the top of the frame, showing its lower torso and legs.

Affixed to the golden pedestal, directly behind the seated monk figure, is a rectangular plaque with a purple background and white text. The inscription, in Vietnamese, reads: "NGUYỄN NGỌC LONG (CHÁU CÔ LOAN) DC: NGÕ 6, PHỐ VĨNH PHÚC P. VĨNH PHÚC - Q. BA ĐÌNH." This text identifies an individual, Nguyễn Ngọc Long, noted as the "nephew of Ms. Loan," along with an address in Vĩnh Phúc Ward, Ba Đình District, which is in Hanoi, suggesting a donor or person commemorated.

The background behind the golden altar features two distinct wall textures: to the upper left, a light-colored, possibly white, textured surface resembling stacked rounded stones or tiles; to the lower left, a dark brown wall constructed of vertical wooden or bamboo slats. The scene is situated within a religious establishment in the city of Xuân Thành, Vietnam.
Anastasiia

Jun 7, 2026, 9:44 AM

Xuân Thành, Vietnam

Moment

Stake attention in this memory

serene
peaceful
contemplative
ancient
respectful

A life-sized, highly realistic sculpture or wax figure of an elderly male Buddhist monk is depicted seated cross-legged in a meditative posture. The figure wears a deep red-orange monastic robe (kāṣāya) that drapes over its body, exposing the right shoulder, arm, and a bare left foot resting on its lap. The figure has a bald head, deeply wrinkled skin on its face, indicative of advanced age, and wears round, clear-framed eyeglasses. Its hands are clasped in a traditional mudra position, resting in its lap. The figure is positioned in front of a prominent golden altar or pedestal, which is elaborately decorated with intricate carvings, including geometric patterns and foliage motifs. This pedestal supports the lower section of a larger golden statue, likely representing Buddha, which is partially visible at the top of the frame, showing its lower torso and legs. Affixed to the golden pedestal, directly behind the seated monk figure, is a rectangular plaque with a purple background and white text. The inscription, in Vietnamese, reads: "NGUYỄN NGỌC LONG (CHÁU CÔ LOAN) DC: NGÕ 6, PHỐ VĨNH PHÚC P. VĨNH PHÚC - Q. BA ĐÌNH." This text identifies an individual, Nguyễn Ngọc Long, noted as the "nephew of Ms. Loan," along with an address in Vĩnh Phúc Ward, Ba Đình District, which is in Hanoi, suggesting a donor or person commemorated. The background behind the golden altar features two distinct wall textures: to the upper left, a light-colored, possibly white, textured surface resembling stacked rounded stones or tiles; to the lower left, a dark brown wall constructed of vertical wooden or bamboo slats. The scene is situated within a religious establishment in the city of Xuân Thành, Vietnam.

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E51AE

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+$0.04

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+$0.00

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$0.00

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Anastasiia

Jun 7, 2026, 9:44 AM

Xuân Thành, Vietnam

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