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This media is licensed under the Creative Commons Attribution 4.0 International License. You are free to share and adapt it for any purpose, even commercially, as long as you provide attribution.
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- "This image presents an upward-looking view into the interior of the octagonal dome of the Cattedrale di Santa Maria del Fiore (Florence Cathedral) in Florence, Italy" by FM-GMXqP2, licensed under CC BY 4.0
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Memory Details and Interactions
This image presents an upward-looking view into the interior of the octagonal dome of the Cattedrale di Santa Maria del Fiore (Florence Cathedral) in Florence, Italy
This image presents an upward-looking view into the interior of the octagonal dome of the Cattedrale di Santa Maria del Fiore (Florence Cathedral) in Florence, Italy. The entire inner surface of the dome is covered by a monumental fresco depicting *The Last Judgment*, originally conceived by Giorgio Vasari and completed by Federico Zuccari. The fresco is organized in concentric rings, radiating from a central octagonal oculus at the dome's apex, which admits natural light. The uppermost sections depict celestial figures, including a prominent golden-hued divine presence surrounded by angels and saints. Below this, the composition descends into scenes illustrating the saved ascending and the damned being cast into hell, featuring numerous human figures, both clothed and nude, in various states of anguish, hope, and judgment, alongside angelic and demonic beings. The artwork employs a rich palette of reds, blues, greens, yellows, and earthy tones, with distinct contrasts delineating the dramatic narrative. Architecturally, the octagonal structure of the dome is clearly visible, with distinct ribs segmenting the frescoed panels. Below the frescoed zone, the plain, light-colored walls of the dome's base are apparent, featuring multiple small, circular stained-glass windows. These windows display religious iconography in vibrant blues, reds, and yellows. Ornate dark architectural elements, including moldings and what appear to be cornices, are visible at the transition point between the undecorated walls and the frescoed dome, with some artificial spotlights directed toward the artwork. No people are visible within the non-frescoed areas of the image.
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