A young individual with medium-length curly brown hair, wearing a light-colored long-sleeved top, is visible in the reflection of an irregular, star-shaped mirror mounted on a white wall

A young individual with medium-length curly brown hair, wearing a light-colored long-sleeved top, is visible in the reflection of an irregular, star-shaped mirror mounted on a white wall. The person is making a "peace" sign gesture with their right hand and displays a slight pout. This scene unfolds in what appears to be a personal room within an apartment in Paris, France. The white wall surrounding the mirror is decorated with numerous black and white photographic prints. Below the mirror, a white desk or dresser surface is arrayed with various objects. On the left, an open spiral-bound planner and a dark-colored smartphone, face down, are present. A stack of "VOGUE" magazines is positioned on the left, with the top cover featuring "Julia Roberts." Adjacent to this, a dark, decorative rectangular box with gold or orange accents sits next to a white ceramic vase containing brown diffuser sticks. A tall, narrow book titled "Film for Her," with a black and white photograph of a woman on its cover, stands behind three small candles in green and red glass holders. To the right, another "VOGUE" magazine is visible, its cover featuring "Sophie Marceau L'Unique" and "Maria Casarès." Below this magazine lies a book titled "Albert Camus Maria Casarès Correspondance." Various small items, including a clear plastic bag with contents, rings, and other trinkets, are scattered across the desk surface. The mirror's reflection reveals further details of the interior environment: a black-framed glass partition with multiple vertical panes separates the space from an adjoining room, whose wall is densely covered with small photographs. A dark, vertical object, possibly a musical instrument case, leans against a wall in the reflected background, and a white doorway leading to another room is also visible. The presence of specific French cultural items such as the Sophie Marceau/Maria Casarès magazine cover and the Albert Camus/Maria Casarès correspondence book confirms the Parisian setting.