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A forensic examination of the image reveals a still life arrangement situated on a flat, light-colored surface within the city of Puttaparthi, India. The central subject is a horizontally oriented, black and white photograph depicting Sathya Sai Baba. He is shown in a semi-reclined position, leaning on patterned cushions, with his left arm supporting him. His right hand is raised, palm forward, in a gesture of greeting or blessing. Sai Baba is smiling and wears traditional attire, his distinctive afro-like hairstyle prominent. In the background of the photograph, a clock and a smaller framed image are visible on a surface to the left.

In the foreground, a pinkish banknote, identifiable as a Thai Baht note by the visible portrait of King Bhumibol Adulyadej and Thai script, lies flat on the surface. Numerous metallic coins of various denominations, some silver-toned and others gold-toned, are scattered across the banknote and the surrounding light-colored surface. To the left, two bent, copper-colored metal wires or hooks are present. Indistinct dark objects are partially visible at the extreme left and right edges of the composition. The background behind the photographic display consists of a plain, light-colored wall.
Vera Uliantseva

Mar 15, 2026

Puttaparthi, India

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A forensic examination of the image reveals a still life arrangement situated on a flat, light-colored surface within the city of Puttaparthi, India. The central subject is a horizontally oriented, black and white photograph depicting Sathya Sai Baba. He is shown in a semi-reclined position, leaning on patterned cushions, with his left arm supporting him. His right hand is raised, palm forward, in a gesture of greeting or blessing. Sai Baba is smiling and wears traditional attire, his distinctive afro-like hairstyle prominent. In the background of the photograph, a clock and a smaller framed image are visible on a surface to the left. In the foreground, a pinkish banknote, identifiable as a Thai Baht note by the visible portrait of King Bhumibol Adulyadej and Thai script, lies flat on the surface. Numerous metallic coins of various denominations, some silver-toned and others gold-toned, are scattered across the banknote and the surrounding light-colored surface. To the left, two bent, copper-colored metal wires or hooks are present. Indistinct dark objects are partially visible at the extreme left and right edges of the composition. The background behind the photographic display consists of a plain, light-colored wall.

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Vera Uliantseva

Mar 15, 2026

Puttaparthi, India

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