This image depicts a street scene at night in the Pelourinho district of Salvador, Bahia, Brazil, as indicated by visible street signs like "Rua Gregorio de Mattos," "Rua Padre Agostinho," and "Rua Alfredo de Brito," and cultural references to Candomblé deities such as "YEMANJA," "OXOSSI," "SULTAO," "OYA," and "IANSÃ

This image depicts a street scene at night in the Pelourinho district of Salvador, Bahia, Brazil, as indicated by visible street signs like "Rua Gregorio de Mattos," "Rua Padre Agostinho," and "Rua Alfredo de Brito," and cultural references to Candomblé deities such as "YEMANJA," "OXOSSI," "SULTAO," "OYA," and "IANSÃ." The foreground features a sloping cobblestone walkway bordered by a concrete curb, illuminated by an unseen artificial light source casting shadows from left to right. The primary subject is a weathered building facade constructed of stucco or plaster, predominantly colored in faded peach and ochre tones. The surface exhibits significant deterioration, with large sections of paint peeling to reveal darker underlayers. Extensive dark biological staining, consistent with mold or dirt, covers the lower half of the wall. A prominent leafy green bush or small tree grows directly out of an upper-story window opening, its branches spreading over the wall. Further left, parts of an adjacent building with balconies are partially visible. The lower and mid-sections of the wall are covered with extensive street art and graffiti. Two distinct murals are present: one depicting a contemplative dark-skinned human face with closed eyes, rendered in blues and reds; and another showing a stylized yellow flower with a smiling human face at its core, accented with green and purple. Numerous black and red graffiti tags and scribbles overlay these artworks and other wall sections, with some legible words like "BOM." A vertical stack of approximately 15 white rectangular signs with black text is affixed to the wall on the left side of the murals. These signs list a combination of Candomblé deities and specific street names pertinent to the historic center of Salvador. No human figures are present in the scene. The environment indicates an urban setting characterized by historical architecture and a vibrant, yet visibly aged, street art culture.