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This media is licensed under the Creative Commons Attribution 4.0 International License. You are free to share and adapt it for any purpose, even commercially, as long as you provide attribution.
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- "This image depicts the interior of the Basilica of San Petronio in Bologna, Italy, specifically looking towards the high altar and nave" by FM-9TxCK2, licensed under CC BY 4.0
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This image depicts the interior of the Basilica of San Petronio in Bologna, Italy, specifically looking towards the high altar and nave
This image depicts the interior of the Basilica of San Petronio in Bologna, Italy, specifically looking towards the high altar and nave. The scene focuses on the ornate high altar area, which is elevated and accessed by a set of white balustraded stairs on either side. Above the white altar table, a large, intricately carved wooden baldachin or ciborium rises, featuring columns, an arched canopy, and a domed top surmounted by a white cross and small sculptural figures. Beneath this baldachin, a large, prominent golden crucifix, adorned with a central figure of Christ and smaller decorative roundels, hangs. Behind the crucifix, a large painted altarpiece or mural depicts religious figures. The basilica's architecture is characterized by towering reddish-brown columns with white capitals and intricate moldings, supporting arched ceilings and upper galleries. To the right of the altar, a large, dark wooden structure, possibly an organ case or choir stalls, is visible with additional white statues and carvings. A solitary white statue of a robed figure stands at the base of the right staircase leading to the altar. In the midground, numerous rows of empty wooden pews or chairs face the altar, extending towards the foreground. A group of approximately 15-20 individuals, appearing to be tourists or visitors, are gathered at the base of the left staircase, facing the altar and observing the structure. Other individuals are scattered in the midground and immediate foreground, with the backs of several heads visible in the bottom portion of the image, also facing the altar. Actions observed include standing, walking, and collective observation of the altar area. No distinct individual interactions are clearly discernible. The environment is well-lit, highlighting the golden elements of the crucifix and the architectural details.
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