An overhead, close-up shot depicts a detailed ink drawing of a classical male statue in progress, laid flat on a light brown paper or surface

An overhead, close-up shot depicts a detailed ink drawing of a classical male statue in progress, laid flat on a light brown paper or surface. The drawing features a headless, armless torso, specifically missing both arms at the shoulders, with a fractured appearance at the breaks. The male figure is muscular and partially draped with flowing fabric that covers its lower body and the remnants of its left arm, leaving the chest and abdomen exposed. The artwork is rendered using fine lines, hatching, and cross-hatching to create texture, shadow, and highlights, with white ink applied to emphasize form and light, particularly on the drapery and the upper body. In the lower-left foreground, a Caucasian hand, likely a right hand, holds two writing instruments: a black pen, capped at the bottom, and a translucent white gel pen, identified by visible "WHITE" text on its barrel (appears to be a Uni-ball Signo Broad). The pens are positioned over the drawing, suggesting recent or ongoing artistic work. The background is a uniform, plain light brown, matching the paper the artwork is on, with no other discernible environmental features. The location in the city of São Paulo, Brazil, cannot be determined from the visual information provided in the image.