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This media is licensed under the Creative Commons Attribution 4.0 International License. You are free to share and adapt it for any purpose, even commercially, as long as you provide attribution.
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- "The image displays an interior wall of an exhibition space, featuring multiple framed photographs and text panels detailing the aftermath of the 1998 US Embassy bombing in Nairobi, Kenya" by FM-SQSHQ2, licensed under CC BY 4.0
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Memory Details and Interactions
The image displays an interior wall of an exhibition space, featuring multiple framed photographs and text panels detailing the aftermath of the 1998 US Embassy bombing in Nairobi, Kenya
The image displays an interior wall of an exhibition space, featuring multiple framed photographs and text panels detailing the aftermath of the 1998 US Embassy bombing in Nairobi, Kenya. The central and largest framed image is a monochrome photograph depicting the severely damaged structure of the former US Embassy building or the adjacent Ufundi Co-operative House in downtown Nairobi. The tall building's facade is heavily compromised, revealing internal structures, with a significant portion of its base obscured by a massive accumulation of rubble and debris. Numerous individuals are visible amidst the debris, some appearing to be engaged in search or recovery efforts, while others stand observing the scene. An excavator is partially visible in the lower center of the debris field. To the left of the large photograph, a smaller, square-framed color photograph shows two individuals, likely medical personnel, providing aid to a third person, indicative of immediate post-disaster medical attention. Below this, another vertically oriented, partially visible framed photograph also depicts a scene of rubble and personnel. To the right of the large photograph, a framed text panel titled "The human toll" details the disaster's impact, stating President Moi declared an end to rescue operations after four days, with a final death toll of 218 and over 5,000 injured. Below this text, a framed reproduction of a "DAILY NATION" newspaper front page is displayed, featuring headlines such as "Toll up to 247 as rescue ends" and "Blast fund kitty has Sh61m so far," further contextualizing the event. The wall is white. In the lower right foreground, the upper backs of two dark green chairs are visible, positioned as if for visitors to view the exhibition. The lighting suggests an indoor, controlled environment.
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