A close-up view depicts a section of a vertical surface, likely a wall or public information board, densely covered with multiple overlapping paper posters in varying states of preservation, indicating cumulative display

A close-up view depicts a section of a vertical surface, likely a wall or public information board, densely covered with multiple overlapping paper posters in varying states of preservation, indicating cumulative display. The dominant language on the posters is Russian, with some English titles. **Essential Details:** * **Top Left Quarter:** A black poster displays the orange English word "NORMALISATION" above "PERSPEKTIVA." Adjacent to it, another black poster advertises a "COLOR HANDPRINTING WORKSHOP" with dates "08.02 / 15.02 / 21.02" and the identifier "PERSPEKTIVA." * **Mid-Left Section:** A black and white poster features three individuals, with the central figure wearing sunglasses, prominently displaying the English title "HUNGER." Smaller English text below references "Richard Shephard Company Production," "Tony Scott," and "MGM UA Entertainment Co.," strongly suggesting the 1983 film *The Hunger*. Below this, another black and white image shows a man in profile, with the date "19.02." * **Mid-Right Section:** A white poster with Russian text is visible. The prominent phrases translate to "Between science and art: early history of photography" (Между наукой и искусством: ранняя история фотографии) and mentions "Вероника Легкова" (Veronika Legkova) with the date/time "21.02 / 19:00." Below this, a poster with a grayscale image resembling a rugged, mountainous landscape is visible, again with "PERSPEKTIVA." * **Far Right Section:** An orange poster, partially torn, contains Russian text that translates to "Time to dress up and start the New Year" (Пора нарядиться и начать Новый год), along with large numerical fragments "20" and "26." **Location in Moscow, Russia:** The consistent appearance of "PERSPEKTIVA" across multiple posters related to art workshops, photography history, and film screenings indicates a cultural institution. Based on these thematic clues, the scene is located at a cultural venue in Moscow, Russia, possibly associated with the "Перспектива" (Perspektiva) gallery, which is part of the Moscow Museum of Modern Art (MMOMA) at Ermolaevsky pereulok, 17, Moscow.