The image depicts an urban street scene in Ado, Nigeria, under a bright blue sky with scattered white clouds

The image depicts an urban street scene in Ado, Nigeria, under a bright blue sky with scattered white clouds. The perspective is from slightly behind a male subject walking away from the viewer in the immediate foreground, dressed in a black short-sleeved shirt and black shorts with flip-flops, carrying a rectangular yellow jerrycan in his right hand, his left arm extended outwards. The street surface is paved with dark asphalt, showing some tire marks and debris along the edges. To the left, a low orange-brown wall runs alongside the street, with sheets of glass leaning against its base. Behind this wall, a man in a dark shirt is visible, appearing to be engaged with a mobile phone. Further left is a two-story building with an orange and yellow facade, a brown roof, and a partially visible sign that includes "GHTS." In the midground, the street extends into the distance, populated by multiple individuals. On the right, a tall, grey concrete wall, topped with barbed wire, parallels the street. Adjacent to this wall, various objects including colored fabrics and large, reflective panels (possibly mirrors or glass sheets) are piled. A group of three men stands near these objects, one in a green shirt and white shorts, another in a white garment, and a third in a dark blue garment, appearing to be in conversation. Further down the street, another man in a blue garment is seen pushing a cart-like object. In the far background, the street continues, lined by multi-story buildings of varying architectural styles. Several vehicles are visible, appearing to be stationary or moving slowly. Overhead, a red string or wire with green and yellow decorative elements is strung across the street, and utility poles and wires are discernible. A prominent domed, grey structure with a small finial is visible above the concrete wall on the right side of the street, further into the background. The lighting suggests late afternoon, with long shadows cast by the subjects and structures.