The image displays a vibrant, multi-panel mural spanning a slightly curved wall within an indoor public space in Municipio Warnes, Bolivia

The image displays a vibrant, multi-panel mural spanning a slightly curved wall within an indoor public space in Municipio Warnes, Bolivia. The mural, rendered in bright, saturated colors, depicts various stylized figures, animals, and cosmic elements. From left to right, the mural begins with three masked figures in hooded cloaks (green, purple, orange), standing against a background of swirling galaxies and planets. The leftmost figure in green holds a small, mask-topped stick. The text "Hasta PRONTO" is prominently featured in 3D lettering within this section. Moving right, a large ostrich-like bird stands amidst cosmic flora, with colorful ribbons extending from its neck. Adjacent to the bird, a figure adorned with a feathered headdress and white garment holds a staff. Above and to the right, a small figure in a blue tunic floats on a branch, interacting with the ribbons. The text "El Payo Sagrado" is visible above this section. Further right, two additional figures in white garments and feathered headdresses are depicted, connected by colorful ribbons. Below them, a red and green parrot is visible. The mural concludes on the far right with a large, ornate golden structure resembling a headdress or crown, featuring multiple eyes and a top adorned with pineapple-like leaves. Artist signatures and contact information, including names like "Andrea Rivero," "Carol," "Mónica," and phone numbers "8432450," "74504235," are inscribed in the upper right portion of the mural. A partial logo, possibly "BN" or "NAB," is also discernible. The environment features a light-colored, tiled ceiling with a single rectangular fluorescent light fixture visible towards the top-center. A section of corrugated metal or similar textured paneling is present in the upper right. The foreground consists of a clean, light gray, textured floor, possibly polished concrete or large-format tiles, extending from the base of the mural towards the viewer. No clearly identifiable individuals are present in the scene, though two indistinct dark shapes are visible just above the mural's top edge in the center, suggesting a potential human presence beyond the wall.