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- "A vertical display panel is mounted on a light-colored wall, likely within a museum or exhibition space in Singapore, potentially the ArtScience Museum, as indicated by the "EAN-08" exhibit code" by FM-4Cxt8wN, licensed under CC BY 4.0
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Memory Details and Interactions
A vertical display panel is mounted on a light-colored wall, likely within a museum or exhibition space in Singapore, potentially the ArtScience Museum, as indicated by the "EAN-08" exhibit code
A vertical display panel is mounted on a light-colored wall, likely within a museum or exhibition space in Singapore, potentially the ArtScience Museum, as indicated by the "EAN-08" exhibit code. The upper two-thirds of the panel feature a dark grey background with text and an image. The title "Survivor Stories" is displayed prominently in large light blue font, followed by the tagline "After disaster, stories arise from the rubble." Below this, a color photograph depicts two severely damaged, multi-story buildings leaning precariously amidst extensive rubble under a clear blue sky, illustrating the aftermath of a natural disaster. A faint attribution on the image suggests it relates to the 2015 Nepal earthquake and photographer Thomas Dworzak. Beneath the photograph, white text explains: "Every year, natural disasters upend the lives of thousands of people. Their stories help us learn how to reduce the toll of such events—and inspire us with examples of courage and resilience." The lower third of the panel has a light grey background. It displays the code "EAN-08" in black. Further black text reads: "Come hear from people who have found themselves caught up in the powerful forces of wind, water, and a moving Earth." A run time of "13 min." is also listed. The bottom edge of the panel partially reveals two small, dark square images, likely thumbnails for a video or interactive exhibit; one shows a silhouetted figure against bright light, and the other shows tropical foliage. The panel's overall purpose is to introduce an exhibit about personal experiences with natural disasters. No people are actively depicted engaging with the exhibit in this specific frame.
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