The scene depicts two individuals seated at a wooden table within an indoor setting, likely a cafe or lounge, in Kerobokan, Indonesia

The scene depicts two individuals seated at a wooden table within an indoor setting, likely a cafe or lounge, in Kerobokan, Indonesia. The background features a light-colored wall adorned with seven vintage wooden tennis racquets. Gold-colored text on the wall reads: "'Life is better with tennis in a free country'" followed by "Collection dono Fabrice Ber (Tennis Club De Bourg)". A grey electrical outlet is visible on the wall between the subjects. To the far left, a window or open archway reveals a metal railing and lush green foliage outside. The individual on the left is an elderly male, of presumed Asian ethnicity, with long grey hair, wearing round dark-framed glasses, a light grey short-sleeved t-shirt, and dark patterned shorts. He has a ring on his left ring finger and a bracelet on his right wrist, resting his right arm on a light-colored concrete or stone armrest. He is looking forward with a slight smile. The individual on the right is a Caucasian female, middle-aged or older, with blonde hair pulled back, wearing glasses pushed up onto her head. She is dressed in a white sleeveless top and light-colored bottoms. A long, multi-strand necklace with prominent beads and a gold-toned cross-shaped pendant is visible around her neck. She is seated in a light brown wooden chair with a cushion and is looking forward with a broad smile. On the wooden table in the foreground, two white ceramic coffee cups are present: one partially visible on the far left and another with a saucer positioned to the right. A black smartphone is placed horizontally on the table. A black bag is partially visible next to the female's right arm.